Poetry Chain 2

A feature of this chain is that you don’t get poems from friends, but from the friends of friends.  (Given that you – and they – have had to find twenty people to BCC, they won’t necessarily be really close friends-of-friends.)
Last night I received a clutch from Italy – someone has kindly chosen poems in English for me.  Or can it be that Europeans now use English so readily that this just feels normal?  She sent me one in Italian, as well, which will be a useful exercise.  Reading it aloud is wonderful, even if you don’t speak Italian.

Dear Jill,
I could not make my mind up so I am sending you a few of my favourite poems instead of just one!
All the best,
Tosca
W. Shakespeare Sonnet 23
As an unperfect actor on the stage,
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart,
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharg’d with burden of mine own love’s might.
O, let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense,
More than that tongue that more hath more express’d.
O, learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.
 
Sonnet 15
When I consider every thing that grows
Holds in perfection but a little moment;
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and check’d even by the self-same sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory:
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with Decay
To change your day of youth to sullied night,
And all in war with Time for love of you,
As he takes from you, I ingraft you new.

 

 

Dall’immagine tesa
vigilo l’istante
con imminenza di attesa –
e non aspetto nessuno:
nell’ombra accesa
spio il campanello
che impercettibile spande
un polline di suono –
e non aspetto nessuno:
fra quattro mura
stupefatte di spazio
più che un deserto
non aspetto nessuno.
Ma deve venire,
verrà, se resisto
a sbocciare non visto,
verrà d’improvviso,
quando meno l’avverto.
Verrà quasi perdono
di quanto fa morire,
verrà a farmi certo
del suo e mio tesoro,
verrà come ristoro
delle mie e sue pene,
verrà, forse già viene
il suo bisbiglio.
C. Rebora  Dall’immagine tesa (1920)
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